North American Indians Being Letters and Notes on Their Manners, Customs, and Conditions, Written During Eight Years' Travel Amongst The Wildest Tribes of Indians in North America, 1832-1839. In Two Volumes. With Three Hundred and Twenty Illustrations, Carefully Engraved from The Author's Original Paintings.

North American Indians Being Letters and Notes on Their Manners, Customs, and Conditions, Written During Eight Years' Travel Amongst The Wildest Tribes of Indians in North America, 1832-1839. In Two Volumes. With Three Hundred and Twenty Illustrations, Carefully Engraved from The Author's Original Paintings.

Author: Catlin, George (July 26, 1796 – December 23, 1872)

4to.(6.25" x 9.75") 1926. Catlin, George. Edinburgh. John Grant. 2 volumes. Full red publishers' cloth with blackstamp and gilt decoration of two Indians on horseback with spears, gilt title towards head, gilt author towards foot to upper boards, lower blank. Spine with heavy gilt decoration with title towards head, author/vol# towars center, "320 Plates" in gilt towards foot with blackstamp and gilt decoration of shield, tree, and Native American. Edgewear, corners bumped and rubbed, head and foot of spine fraying with a little loss, Spine sun faded, corners bumped and rubbed. Top edge gilt, others deckled. Intermitent foxing throughout. Illustrated with 320 color plates.

From Wiki: George Catlin (July 26, 1796 – December 23, 1872) was an American lawyer, painter, author, and traveler, who specialized in portraits of Native Americans in the American frontier. Traveling to the American West five times during the 1830s, Catlin wrote about and painted portraits that depicted the life of the Plains Indians. His early work included engravings, drawn from nature, of sites along the route of the Erie Canal in New York State. Several of his renderings were published in one of the first printed books to use lithography, Cadwallader D. Colden's Memoir, Prepared at the Request of a Committee of the Common Council of the City of New York, and Presented to the Mayor of the City, at the Celebration of the Completion of the New York Canals, published in 1825, with early images of the City of Buffalo. Catlin began his journey in 1830 when he accompanied Governor William Clark on a diplomatic mission up the Mississippi River into Native American territory. St. Louis became Catlin's base of operations for five trips he took between 1830 and 1836, eventually visiting fifty tribes. Two years later he ascended the Missouri River more than 3000 km (1900 miles) to Fort Union Trading Post, near what is now the North Dakota-Montana border, where he spent several weeks among indigenous people who were still relatively untouched by European culture. He visited eighteen tribes, including the Pawnee, Omaha, and Ponca in the south and the Mandan, Hidatsa, Cheyenne, Crow, Assiniboine, and Blackfeet to the north. There he produced the most vivid and penetrating portraits of his career. During later trips along the Arkansas, Red, and Mississippi rivers, as well as visits to Florida and the Great Lakes, he produced more than 500 paintings and gathered a substantial collection of artifacts. The nearly complete surviving set of Catlin's first Indian Gallery, painted in the 1830s, is now part of the Smithsonian American Art Museum's collection. The associated Catlin artifacts are in the collections of the Department of Anthropology, National Museum of Natural History, Smithsonian. Some 700 sketches are held by the American Museum of Natural History in New York City. Some artifacts from Catlin are in the University of Pennsylvania Museum of Archaeology and Anthropology collections. The Huntington Library in San Marino, California also holds 239 of Catlin's illustrations of both North and South American Indians, and other illustrative and manuscript material by Catlin.

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